"This might be hard to believe, but the reason this happened is because I was trying to be a good person. I do not know what I am doing at all, but I'm trying REALLY hard. And trying really hard when you don't know what you're doing just happens to be the exact recipe for acting like a fuckin' weirdo." --Allie Brosh
I've been rereading The City and The City, and it's mostly as great as I remember, but the highly-pitched mood of tension and fear at the end of Part 2 just really does not feel earned at all, and that bothers me.
ISTJ: Elinor Dashwood ISFJ: Fanny Price INFJ: Jane Bennet INTJ: Mary Bennet ISTP: Charlotte Lucas ISFP: Harriet Smith INFP: Anne Elliot INTP: Jane Fairfax ESTP: Louisa Musgrove ESFP: Lydia Bennet ENFP: Marianne Dashwood ENTP: Mary Crawford ESTJ: Lady Catherine de Bourgh ESFJ: Emma Woodhouse ENFJ: Catherine Morland ENTJ: Elizabeth Bennet
Dolorous Edd/everyone Jaqen h'Gar/me Harry Lloyd's hairstylist/also me Dany/giant lesbian orgy Myrcella/undiscovered badassery People who take inordinate glee in bashing Lysa/my fist The part of George Martin's brain that made him think anything about the writing of the scene in which Asha gets raped was ok/my other fist The part of George Martin's brain that dreamed up Qyburn/bleach Rickon Stark/Iron Throne Sansa Stark/Depeche Mode Everyone else/a goddamn sense of humor already